UTAH SYMPHONY’S DAVID PARK IN RECITAL WEDNESDAY

David Park

David Park, the Utah Symphony’s assistant concertmaster, will present a recital Wednesday in Dumke Recital Hall in David Gardner Hall on the University of Utah campus. It begins at 7:30 p.m. and is free of charge.

On the program are three major works: J.S. Bach’s Sonata No. 2 in A minor for solo violin; Beethoven’s Violin Sonata in C minor, op. 30, no. 2; and Brahms’ Violin Sonata No. 3 in D minor.

In an email to Reichel Recommends Park said that a program consisting of works by these three composers is seldom done today. “This idea of presenting a concert of these three masters is something that is rarely seen these days, and is a project of great magnitude. It has been a great joy and privilege preparing these masterworks, and I would like to present this to the public as a gift of music.”

The three composers present challenges for the violinist, Park said, adding that Bach’s music is “the standard bearer for violin playing, especially his fugues and the Chaconne [from the D minor Partita].”

But despite its demands, playing Bach’s A minor Sonata is rewarding. “…To memorize and internalize the spirit of the whole work, [and] to connect the relationships of each movement, makes it a great journey. I have had wonderful experiences with the music of Bach,” including a memorable performance of the D minor Chaconne at San Francisco’s Grace Cathedral.

As to the Beethoven sonata, Park compares it favorably to the Kreutzer Sonata. “I consider his C minor Sonata to be a kind of double concerto with the piano, like his Kreutzer Sonata. It is a dramatic work much like his symphonic masterpiece, the Fifth Symphony, also in C minor, which [he] wrote shortly after this sonata. The key of C minor gives [the sonata] a dark beauty….”

The music of Brahms holds a special place for Park, because Brahms “learned from the past masters, such as Bach and Beethoven, and developed his unique style of romanticism with rigorous form.”

The D minor Sonata is a fine example of this. “This third and last sonata exemplifies this element, and adds a scherzo movement to make this work in four movements,” Park said.

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About Edward Reichel

Edward Reichel, author, writer and composer, has been covering the classical music scene in Utah since 1997. For many years he served as the primary music critic for the Deseret News. He has also written for a number of publications, including Chamber Music Magazine, OPERA Magazine, 15 Bytes, Park City Magazine and Salt Lake Magazine. He holds a Ph.D. in composition from the University of California at Santa Barbara. He can be reached at ed.reichel@gmail.com. Reichel Recommends is also on Twitter @ReichelArts.

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