When Marc Blitzstein wrote The Cradle Will Rock, the country was in the midst of the Great Depression. It’s his best known work – and perhaps his best work – but it isn’t done very often today. As with most of his other works, The Cradle Will Rock is largely forgotten.

Trevor Dean as Mr. Mister (Photo: McKalle Sanderson)

Blitzstein had leftists leanings so it shouldn’t be surprising that the piece is a scathing critique of the dark underside of capitalism. It’s set in “Steeltown, U.S.A.,” where Larry Foreman tries to unionize the town’s workers and thwart Mr. Mister, an unscrupulous and greedy businessman who controls the city’s factory, press and church – in fact, everything in the city.

One can draw a lot of parallels between the United States of the 1930s and today, when the country is still reeling from the Great Recession. And because of that it should resonate with a modern audience. That’s one of the reasons the performing arts department at Weber State University decided to stage it, in collaboration with the Associated Actors and Technicians. “When we found out we would do a main stage production we went back and forth about things to do,” said the show’s director, Trent Cox. “We finally decided on doing The Cradle Will Rock because it is a rarity and because it has an important place in theatre history.” It also has significance for today’s politically charged atmosphere, with the Occupy Movement in the center, Cox added. “With Mr. Mister you have the one percent against the 99 percent. It’s a show that can translate to what is happening today.”

The Cradle Will Rock was written in 1937 as part of the Federal Theatre Project, one of the several projects that were sponsored by the Works Progress Administration (WPA). It was directed by Orson Welles and produced by John Houseman. But the show’s themes were a little too much for officials from the WPA to swallow. They threatened to shut it down and arrest the actors if it opened.  “When it was shut down, Orson Welles and John Houseman scrambled to find another place,” Cox said. “They found a different theater and walked the 21 blocks to it, gathering the actors along the way.”

From left: Becca Lichfield as Moll; Addison Welch as Larry Foreman; Trevor Dean as Mr. Mister (Photo: McKalle Sanderson)

Blitzstein was feisty, though, and wouldn’t admit defeat and give up. He was onstage alone at the start. “Gradually the cast, which was seated in the audience, would join in from where they sat,” and that’s how they did the show, Cox said.


  • What: Weber State University Department of Performing Arts, Marc Blitzstein’s The Cradle Will Rock
  • Venue: Eccles Theater, Val A. Browning Center for the Performing Arts, Weber State University
  • Time and Date: 7:30 p.m., March 23, 24, 27-31, also 2 p.m. March 31
  • Tickets: $8-$11
  • Phone: 800-978-8457
  • Web:
This entry was posted in Concert Previews, Live Theater Coverage by Edward Reichel. Bookmark the permalink.

About Edward Reichel

Edward Reichel, author, writer and composer, has been covering the classical music scene in Utah since 1997. For many years he served as the primary music critic for the Deseret News. He has also written for a number of publications, including Chamber Music Magazine, OPERA Magazine, 15 Bytes, Park City Magazine and Salt Lake Magazine. He holds a Ph.D. in composition from the University of California at Santa Barbara. He can be reached at Reichel Recommends is also on Twitter @ReichelArts.

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